Kumbi Chitenderu

Scriptwriter and story analyst

Kumbi Chitenderu is script and short story writer, development executive, and story analyst with a 

strong focus on story structure, character development, and narrative voice. She was a writer on the 

independent live-action series Working Wives, which aired on Showmax, and contributed creatively 

to Disney’s award-winning animated African anthology Kizazi Moto: Generation Fire during its 

development and production. 

She served as a Junior Development Executive and staff writer at Triggerfish Animation Studios, 

where she learned to bring creative vision and industry insight to every project, including the 

feature-length script she's attached as a co-writer on. Her dual role in development and writing 

uniquely positions her to craft stories that are both emotionally resonant and structurally sound. 

Kumbi holds a Master’s degree in Creative Writing from the University of Cape Town and is 

pursuing a PhD in Film, where her research explores how the term “universal story” and global 

storytelling frameworks influence the representation of African narratives. She is known for her 

collaborative spirit, sharp editorial eye, and commitment to telling authentic African stories for 

global audiences. 

In her spare time, Kumbi is working on her debut novel and binge-watching films for inspiration.

All Sessions by Kumbi Chitenderu

12:00 - 12:30
MAIN STAGE

Women pivoting from live action to animation: What questions should we be asking?

Necessity is the mother of all invention. With the changing landscapes of live action films and the dawn of AI, it's become increasingly important to expand one's career and not do just one thing.  Furthermore, animation itself has already begun live action series' like The Last Airbender, Winx Club, One Piece and many more. And when times get tough, women are often ones to reinvent themselves either through expanding their skill set, or pivoting into something completely different.  This panel guides the audience through things that women need to consider when exploring the animation landscape.  What skills are transferable? What are the challenges women face? And what is the importance of creating a vision for this transition? How difficult is it to pivot or expand?